Pilgrims

Pilgrims

Most badges are pilgrim badges. Going on a pilgrimage was the main way to see a bit of the world in the Middle Ages. And people brought back souvenirs even back then. When pilgrimages became really popular after 1150, a market for cheap mass-produced badges popped up. Until the 16th century, they were part of a pilgrim's standard outfit. You can recognise the specific pilgrimage site by the image on the badge.

A badge is not just a beautiful souvenir, it also had a religious function. It ensures that the holy powers of the relic come home with you. By pressing the badge onto the reliquary, it took on some of the powers of the relic. This way, you could take the powers with you or hang it up in your home as a talisman. Sometimes badges were embedded in foundations, buried in a field, incorporated into a clock or sewn into books. There are even medical recipes in which a badge had to be soaked in a liquid. In this way, a sick person who was unable to beg for healing in a sanctuary could still benefit from its powers.

You can recognise the three kings on this badge. It is a pilgrim badge from Cologne.

This badge depicts the three kings. It is a pilgrim badge from Cologne.
A badge representing the shell.

Santiago de Compostella

Perhaps the most popular place of pilgrimage in medieval Europe is Santiago de Compostela. Walking routes to this sanctuary depart from all over the continent. This is where the tomb of St James the Greater is located. According to legend, St James was responsible for the “Reconquista” or the expulsion of the Muslims from the Iberian Peninsula. He is therefore the patron saint of Spain. The symbol of Santiago de Compostela is the scallop shell, named after the saint. Pilgrims pinned the shell to their hats. But there are also pewter and lead badges in the shape of a shell.

As early as 1172, a text refers to the sale of St James's shells to pilgrims. In fact, there was a whole trade. In addition to badges, the church also sold wineskins, shoes, knapsacks, other bags, leather laces and belts, herbs and other items. In other words, everything you need for the return journey. This makes Santiago de Compostela one of the earliest pilgrimage sites. And extremely popular. The shell became the universal symbol for pilgrims. Anyone wearing the shell clearly indicated that they were on a pilgrimage.

Ampoule in the shape of a scallop shell with a coat of arms on the back.

In addition to badges, there are also ampoules with the motif of the Saint James shell. These are small, hollow objects. Like badges, they were worn on clothing or on a string around the neck. Ampoules are usually decorated on both sides. At the pilgrimage site, you filled the ampoule with holy oil or medicinal water. Sometimes even soil from the sanctuary was taken home.

Saint Eligius of Noyon

In addition to Compostela, there are hundreds of pilgrimage sites scattered across Europe. In Noyon, for example, Saint Eligius was worshipped. Below you can see a badge from this pilgrimage site. Eligius (also known as Elooi) is a saint from the seventh century. He was a blacksmith, but worked his way up to become the monarch's personal advisor. Later, he became bishop of Noyon & Tournai.

There is a lot going on in this insignia. On the left, Eligius is depicted as a farrier at his anvil. Above the anvil, an angel is watching. On the right, a cripple is throwing away his crutches, which he no longer needs. He was healed thanks to the saint. On the far right, a horse peeks around the corner. This is a reference to a popular legend surrounding Eligius. When he had to replace the horseshoes of a particularly unruly horse, he removed the horse's leg, fitted the hoof with a new shoe and put the leg back on the horse. He is therefore the patron saint of horses.

Insigne van Eligius of Noyon
Mary's tunic above the rose window shows Christ his wounds

The mass screening in Aachen

The insignia of Eligius of Noyon is one of the older insignia in our collection. It dates from the second half of the 13th century. We know this because of the type of insignia: a solid plaque insignia. Openwork insignia did not appear until the 14th century. This allowed the insignia to be made much larger, without the image becoming too heavy. The insignia of Mary's tunic dates from the 15th century and, at 12.3 cm high, is the largest insignia ever found in Flanders.

Mary's tunic, the garment she wore when she gave birth to Jesus, is venerated in Aachen, together with Christ's loincloth and John the Baptist's execution cloth. These items are kept in the Shrine of Mary. The remains of Charlemagne also lie in Aachen Cathedral. This makes it an important place of pilgrimage. Initially, the robe was taken out once a year to be shown to pilgrims. From 1349 onwards, this was only done every seven years. The display became a mass event that attracted tens of thousands of visitors.


There are fears for the safety of the pilgrims. They want to get as close as possible to the relic. At the beginning of the 15th century, a solution is found in the form of the mirror insignia. A small mirror was incorporated into the insignia. In this example, the mirror glass was incorporated into the rose window. The mirror captures the reflection of the relic and thus also captures its healing power. In this way, you could take the power of the relic home with you without the insignia having to be in physical contact with the reliquary.

more badges

John the Baptist Description: In Amiens, a skull relic of John the Baptist is venerated. You can recognise the saint by the animal skin he is wearing. In his hand, he holds the Lamb of God, which he is pointing to. John the Baptist was the first to recognise Christ as the Son of God. This insignia may come from Amiens, but John the Baptist is also venerated in other places. (SM 003515 ) Period: 1300-1349 Technique/material: cast tin-lead alloy
Adrianus of Geraardsbergen Description: Saint Adrianus of Nicomedia was a martyr in the 4th century. He was a Roman soldier who converted to Christianity. This cost him his life. His legs were crushed with a hammer on an anvil and he was also beheaded with a sword. In 1175, the saint's relics came to Geraardsbergen, giving rise to widespread veneration in the Low Countries. Adrian is invoked against the plague and is the patron saint of soldiers, jailers, blacksmiths and butchers. The insignia is incomplete. The head is missing. He holds a sword in his right hand. It is unclear whether he also holds a hammer in his left hand, as is customary. The lion at his feet symbolises his bravery. (SM 005140) Period: before August 1383 Technique/material: cast tin-lead alloy
Three Kings Description: This badge comes from Cologne. The shrine of the three kings is located in this city. On the badge, you can see the three kings on the left, each holding a staff. This identifies them as travellers or pilgrims. They are offering their gifts to the Virgin Mary and baby Jesus. The shape of the badge resembles the façade of a church, perhaps a reference to Cologne Cathedral? The figure at the top may represent God himself. Unusually, this badge also has an image on the reverse: Christ on the cross. At the top are the moon and sun, at the bottom the Greek letters Alpha and Omega. A reference to the omnipotence of God. (SM 005136) Period: 1200-1299 Technique/material: cast tin-lead alloy
Servatius of Maastricht Description: Saint Servatius is venerated in Maastricht. He is depicted on the badge as a bishop. He wears a bishop's mitre and holds a bishop's crozier in his right hand. In his left hand, he holds a key. This refers to a legend. Servatius went on a pilgrimage to Rome and received the key at the tomb of St. Peter. The key is the symbol of the apostle himself. (SM 003429) Period: 1250-1349 Technique/material: cast tin-lead alloy
Mary's tunic Description: Two people display Mary's tunic. This is the garment Mary wore when she gave birth to Jesus. The garment is kept in Aachen. (SM 003427) Period: 1300-1349 Technique/material: cast tin-lead alloy
The tunic of Mary Description: At the bottom of the miraculous image of Mary with two people in worship. An angel is holding the tunic. This tunic is kept in Aachen. At the top, Christ shows his wounds from the crucifixion. He is flanked by two angels playing music. (SM 003905) Period: 1350-1400 Technique/material: cast tin-lead alloy
Scallop shell Description: The scallop shell refers to Santiago de Compostela. This pilgrimage site was so popular in the Middle Ages that the shell became the symbol of pilgrims. (SM 005015) Period: before August 1383 Technique/material: cast tin-lead alloy
Eligius of Noyon Description: This badge depicts Saint Eligius, the bishop and blacksmith, also known as Saint Elooi. He is the patron saint of blacksmiths and the protector of horses. It is a fairly old badge. (SM 003727) Period: 1250-1300 Technique/material: cast tin-lead alloy
The Lamb of God Description: In St. Peter's Church in Rome, pieces of wax from the Easter candle were stamped with an image of the Lamb of God. These pieces were distributed to pilgrims. And so the Lamb of God became the symbol of the pilgrimage to Rome. However, the Lamb was also simply a popular religious image. It is therefore uncertain whether this insignia can be linked to Rome. (SM 003541) Period: 1325-1374 Technique/material: cast tin-lead alloy
Judocus Description: Saint Judocus or Saint Josse was worshipped in St. Josse-sur-mer. He is depicted here as a pilgrim: staff, travelling cloak, knapsack and hat with miniature insignia. Alongside Saint James the Greater, he is the patron saint of pilgrims. (SM 003428) Period: 1300-1349 Technique/material: cast tin-lead alloy
Sint-Josse Description Vincentius of Zaragoza is venerated in Beselare. Vincentius was a deacon and died a martyr's death in 304. Here you can see him in the Gothic church of Beselare with two people worshipping at his feet. Saint Vincentius was invoked against infectious diseases, ulcers and wounds. (SM 003421) Period: 1425-1474 Technique/material: cast tin-lead alloy