Mysteries

The exact meaning of some insignia in our collection is unclear. For example, there are no known references to them in literature. This means we have to search for other iconography with a similar representation, which can sometimes be like looking for a needle in a haystack. That is, if a needle can be found at all. Sometimes badges are not completely preserved and crucial information needed to identify the piece is missing. And so we are left with questions and hypotheses. Here we present three mysteries from our own collection.

1. unknown insect

The first insignia is described in the inventory as an “insect”, but the exact species is unknown. A survey of entomologists led to the hypothesis that it was a mayfly larva. A mayfly larva is the larva of a mayfly. The insignia does indeed closely resemble a mayfly larva, except that a mayfly larva is very small: only 3 to 30 mm. Today, we can study all the details of the animal under a microscope, but was this possible in the Middle Ages without the tools we have today? Furthermore, there are no other known images of mayflies from the Middle Ages. There is also no symbolism associated with the animal. So why would anyone want to wear a badge of this?

The unknown insect (Yper Museum, SM 003518)
A lobster in a medieval calendar, made in Flanders (Getty Museum)

Another hypothesis is that the insignia is incomplete. If you look closely, you can see a broken piece on the left and right sides of the head. If this is correct, it could well be a lobster. This animal from the zodiac was often used in iconography during the Middle Ages. The crab often appears in decorated calendars. And those miniatures often closely resemble this badge: three legs, a tail, a body divided into three parts and antennae or tentacles at the front. What is missing from the badge are the front legs with their characteristic claws. But these may have broken off.

2. Church donation

Our collection includes several very similar depictions. In total, only eight badges of this type are known to exist in Europe. Four of these were found in Ypres, three in the northern French city of Valenciennes and one in Bruges. The depictions differ greatly from one another, but each one shows a religious leader and a secular ruler with a miniature building between them. These are large badges, too large to be pinned to a hat. There are two theories about the meaning of this piece.

A round insignia with a central depiction of a bishop and king (Ypres Museum, SM 005143)
A round insignia with a central depiction of a bishop and king (Ypres Museum, SM 005143)

The insignia is thought to represent urban harmony. You can see religious and secular power standing harmoniously side by side with the city between them. In one depiction of the insignia, men and women are watching from the sidelines. This is thought to represent the third part of the city: the citizens. These insignia have only been found in the most urbanised parts of the Netherlands. This strengthens the argument. Insignia are usually found more often at the place of use than at the place of production. Of all the insignia relating to Santiago de Compostela, not a single one has been found in the pilgrimage site itself. Yet we know that they were made and sold there.

Insignia of Aachen (Ypres Museum, SM 003437)

According to another theory, these are insignia from Aachen. Aachen was one of the most popular pilgrimage sites in the Middle Ages. With the Palatine Chapel, the relics of Charlemagne and Mary's cloak, Aachen is home to several important relics. Another insignia in our collection can definitely be linked to Aachen. Two figures display Mary's cloak.

The incense at the top makes it clear that this is a religious representation (Ypres Museum, SM 005187).

According to this interpretation, the insignia would show Charlemagne's donation or gift of the Paltz Chapel to the bishop. In one version of the insignia, the scene is literally incensed at the top. This contributes to the religious character of the scene. In addition, the church donation is also depicted on other objects. It is a popular representation. But that also makes the connection with Aachen difficult. Why would it be Aachen specifically and not another church donation?

3. city gate

One insignia from our collection depicts a gatehouse. Possibly a city gate. Perhaps this insignia represents urban autonomy? The city gate plays an important symbolic role in this regard. The privilege of building a city wall and controlling who enters and leaves the city is one of the foundations of urban autonomy. It would therefore be an example of a badge that can be placed entirely in a secular, urban context.

There are many known insignia of a similar gatehouse, with the main difference being that there is a figure in the centre. These are mostly monsters and animals, but mainly figures of Mary. This immediately gives the insignia a religious connotation. Some of these representations can be specifically linked to the pilgrimage site of Tombelaine. This is a small island not far from the famous Mont Saint-Michel. The island had a church dedicated to the Virgin Mary and many pilgrims passed through here. The arch in the gatehouse on the badge suggests that there was also a figure here initially. Unfortunately, we will never know whether it was Mary or someone else.

Insignia of a city gate (Ypres Museum, SM 005010)