Literature

Literature

A number of insignia have links to stories from the Middle Ages. You can discover historical figures such as Aristotle, mythical figures such as the wild man or mermen, and courtly literature was also depicted through the insignia. The insignia show us that medieval imagery was used for both courtly and popular culture.

From the clothing, we can recognise a knight from a courtly romance.
Aristotle and Phyllis, Bible of Anjou (KU Leuven, GSM Cod.1).

Aristotle and Phyllis

A popular genre in the late Middle Ages was “women's tricks”. The message is clear: even the most intelligent men can be duped by lustful women. So you had better be on your guard! Famous figures from Classical Antiquity such as Paris, Virgil and Hercules appear in these tales. But even Biblical figures such as David and Solomon are fooled by cunning women.

One of the most popular stories is that of Aristotle and Phyllis. This story dates back to 1200, but remained popular throughout the Middle Ages. The story goes as follows. Aristotle warns his pupil Alexander the Great that his mistress, Phyllis, is distracting him from his studies. Alexander then decides to end the affair. Phyllis seeks revenge. She seduces Aristotle and persuades him to let her use him as a mount. Alexander and the entire court see Aristotle in this humiliating position. He manages to save his reputation by repeating his message. If he, as an old philosopher, cannot resist, how could Alexander, as a young man, succeed?

The badge depicts the crucial phase in the story: Phyllis on Aristotle's back. She even has a whip in her hand. There is one major difference between the stories and the badge. On the badge, Aristotle's genitals are clearly enlarged and visible between his legs. The stories or miniatures are not that explicit.

Aristotle and Phyllis
Crowned letter M

Letter insignia

There are various letter badges. Their meaning is difficult to ascertain. Are they the initials of the person who wore the badge? Or perhaps of a loved one? The most popular letter is undoubtedly the “M”. In the Ypres Museum collection alone, there are four examples of a crowned “M”. This is the “M” of the Virgin Mary, an extremely popular figure in medieval Christianity.

But the “M” could just as easily be an abbreviation of “Minne”, or (earthly) love. This double or even ambiguous meaning of the letter is explicitly addressed in the late medieval play “Mariken van Nieumeghen”. In that play, the double meaning of the letter “M” is the subject. The devil “Moenen” asks “Mariken” to change her name to “Maria”. When she refuses, he asks her to go through life as “M” or “Emmeken”. Mariken can live with this, because it is the first letter of her name. The devil thus deliberately creates confusion between Mariken and the Virgin Mary. Anyone wearing the insignia with this letter is probably deliberately sending a confusing message.

in the spotlight

Merman with double tail Description: This merman (triton) originates from Greek mythology. Sometimes they have a double tail. (SM 003536) Period: 1325-1374 Technique/material: cast tin-lead alloy
Sea Knight Description: Mermen (tritons) already appear in Greek mythology. Medieval people also believed in hybrid forms such as sea knights or zitirons. They lived in the sea around England and wore helmets made of hard, rough skin. (SM 003217) Period: 1350-1399 Technique/material: cast tin-lead alloy
Courtly knight Description: This is a knight as you would encounter in courtly novels. He wears a long robe with a belt and has a stylised wreath of flowers on his head. The shield bears a rampant lion, symbolising courage. (SM 005889) Period: 1325-1374 Technique/material: cast tin-lead alloy
Pierced heart Description: Today, we still recognise the pierced heart as a heart struck by Cupid's arrows. The combination with a crown seems to refer to the saying “love conquers all”. (SM 003528) Period: 1375-1424 Technique/material: cast tin-lead alloy
Arms with pierced heart Description: This insignia is bursting with symbols of love. The clasped hands refer to unity or fidelity. The pierced heart is still recognised today as a heart struck by Cupid's arrows. Together, they resemble a crowned letter “M”, which is probably no coincidence. The insignia may contain a reference to the English proverb “wearing one's heart on one's sleeve”. It is not certain whether this expression was also used in Middle English. (SM 003532) Period: 1325-1374 Technique/material: cast tin-lead alloy
Crowned letter Description: It is unclear what this letter insignia refers to. A person's name or possibly a saint. (SM 005041) Period: before August 1383 Technique/material: cast tin-lead alloy
Crowned letter M Description: The “M” contains various references. The Virgin Mary or earthly Minne are the most common. (SM 005051) Period: before August 1383 Technique/material: cast tin-lead alloy
God of Love Description: In the centre is a winged figure holding arrows. Around it you can read the letters AM[OV]RS. This is a god of love, probably Eros/Cupid. (SM 005052) Period: 1300-1349 Technique/material: cast tin-lead alloy
Mill Description: This insignia is incomplete. On the right, you can still see a broken leg or foot. Other insignia show the miller on his donkey next to the mill. He carries a sack of grain on his shoulders or head, not on the donkey. This is a depiction of a 13th-century folk tale. The miller tries to spare his animal by carrying the grain himself. An example of stupidity! (SM 005026) Period: 1275-1315 Technique/material: cast tin-lead alloy
Aristotle and Phyllis Description: The philosopher Aristotle allows himself to be prepared on his back like a beast of burden by the young and beautiful Phyllis. (SM 002948) Period: 1325-1374 Technique/material: cast tin-lead alloy